Oscar Farrell: The Musician Making UK Garage for the Comedown
Who is Oscar Farrell? The London future-garage producer and Sampha's bassist, signed to George Daniel's dh2, behind So Far South and Birds Fly In.

Most of the new UK garage wave is built for the peak of the night. Oscar Farrell makes music for the bit afterwards. His sound is the 4am taxi, the comedown, the emotional release that comes when the lights are still off but the energy has changed, future garage and 2-step shot through with feeling rather than fireworks. It is a rarer thing to do well, and it has made him one of the most quietly exciting names in London electronic music, with a breakout Sampha collaboration, a run of acclaimed EPs and a home on one of the most interesting new labels in the country. This is a working DJ and producer's guide to who Oscar Farrell is, why his emotional take on club music stands out, and what his rise says about who is backing the UK underground now. The facts below were checked against current sources in July 2026.

Oscar Farrell at a glance
- Who: a London-based producer and DJ in his mid-twenties and DJ working in future garage and 2-step.
- Day job in music: the musical director and bassist for Sampha's live shows, a serious musician's grounding.
- Label: dh2, the electronic imprint of Dirty Hit, led by The 1975's George Daniel.
- The EPs: I've Already Called (April 2025), So Far South (September 2025) and Birds Fly In (June 2026).
- The breakout: "Dream Therapy", a collaboration with Sampha.
- Radio: a monthly residency on Rinse FM, launched in 2025.
- The sound: emotional, after-hours club music, 2-step rhythms, airy basslines and glitchy, chopped vocals.
Who is Oscar Farrell?
Behind the music is a genuine musician, which is the key to everything. Oscar Farrell is a London-based producer, but he is also the musical director and bassist for Sampha's live band, one of the most respected gigs in British music. That grounding, playing a real instrument in a world-class live setup, shapes the way he makes electronic music. He approaches a club track less like a beat-maker chasing a drop and more like a songwriter and player chasing a feeling, and you can hear it in the harmonic depth and emotional weight of his records.
That is what sets him apart in a crowded field. Where much of the UK garage revival is, gloriously, about energy and bounce, Farrell is interested in the genre's tender, introspective side, the airy, melancholic end of 2-step and future garage that has always existed but rarely gets the spotlight. He makes club music you feel as much as dance to.
The sound: UK garage for the comedown
Across his releases, Farrell explores 2-step rhythms, airy basslines and glitchy, chopped vocal fragments, with an instinctive grasp of club culture's emotional side. It is music rooted equally in dancefloor escapism and the after-hours comedown, the sound of the city after dark rather than the peak-time rush. Where a banger demands you react, a Farrell track invites you to feel something, which makes him the introspective counterweight to the harder, bouncier wing of the UK garage revival.
It is a deliberately difficult balance. Emotional electronic music can easily tip into the inert or the saccharine, but Farrell keeps the rhythms sharp and the production detailed enough that the records still work in a club, just a club at a different hour and a different mood. That is the craft, and it is why DJs and critics have taken him seriously so fast.
The Sampha connection and "Dream Therapy"
The relationship that best explains Farrell is his work with Sampha. As Sampha's musical director and bassist, he sits inside one of the most emotionally articulate projects in British music, and that influence flows directly into his own work. It came full circle on "Dream Therapy", his breakout collaboration with Sampha, which paired Farrell's detailed, club-rooted production with Sampha's unmistakable voice and became the track that introduced him to a much wider audience.
That a singer as revered as Sampha would step onto a young producer's EP tells you how much respect Farrell commands from serious musicians. It is not a celebrity feature; it is a real creative partnership between two people who already work together every night on stage, and it gives his music a vocal and emotional credibility that few of his peers can match.
dh2: George Daniel and the artist-led label
Here is the wider story Farrell is part of. He is a flagship signing to dh2, the electronic imprint launched by the independent label Dirty Hit in 2024 and led by George Daniel, the drummer and producer of The 1975. dh2 represents something genuinely interesting: a pop-world figure with serious resources using them to back and curate credible underground club music, with a roster including Kelly Lee Owens, Surusinghe and Bodhi, and an engine of short-notice club nights across London, New York and Los Angeles that sell out in minutes.
Farrell has helped shape the label's identity and has collaborated directly with George Daniel on garage-leaning singles like "volc3" and "volc4". It is a model worth watching. For years the worry was that pop success drained talent and attention away from the underground; dh2 flips that, channelling the infrastructure and audience of a major band back into the club world. Farrell is the clearest proof it can produce real, credible artists rather than vanity projects, and it connects to the broader shift towards intimate, short-notice, community-driven club culture.
Three EPs in: a fast, confident rise
Farrell has built his catalogue quickly and coherently. His debut EP I've Already Called arrived in April 2025, five tracks of airy 2-step, grounding basslines and chopped vocals that announced a distinctive new voice. So Far South followed in September 2025, a bolder statement headlined by the Sampha collaboration "Dream Therapy" and rounded out by tracks like "Timers", "Orbits" and "I Need U". Then came Birds Fly In in June 2026, a six-track set that gathered his darkest, most propulsive club music yet, from the bass-led "Burning From" with Brooklyn-born, London-based rapper Goya Gumbani, which reworks New York underground rap and soul in a London club context, to the euphoric "Don't Play With Me". Critics noted it sounded heavier and more menacing than his earlier work, a sign he is widening from the after-hours comedown into harder, peak-time club music and spoken-word-laced rap without losing the emotional detail. Three EPs in barely over a year, each a clear step up, is the mark of an artist who knows exactly what they are building.
A rising live force
The live story has scaled just as fast. Farrell has played Glastonbury alongside the likes of Joy Anonymous, Lil Silva and Sampha, performed at dh2's label nights at venues such as Phonox in London and Public Records in New York, headlined his own London show, and lined up festival appearances including LIDO in London, a Maribou State-curated bill that places him alongside heritage names like Theo Parrish and Moodymann. His monthly Rinse FM residency, blending deep cuts, influences and unreleased material, has become a window into his taste and process. For an artist only a year or so into releasing his own music, it is a remarkably established live and broadcast presence, built on the back of genuine musicianship rather than hype alone.
Essential Oscar Farrell tracks
To get him quickly, start with "Dream Therapy", the Sampha collaboration that is both his breakout and the clearest distillation of his emotional, vocal-led approach. The title track "So Far South" showcases his signature airy 2-step, "Burning From" with Goya Gumbani shows the bass-led, hip-hop-touched side, and his collaborations with George Daniel, "volc3" and "volc4", reveal the more club-functional, garage-driven end of his range. Across them you hear a producer making dance music with a musician's heart.
Why Oscar Farrell matters
Oscar Farrell matters because he expands what the UK garage revival can be. While much of the scene chases energy and bounce, he has staked out its emotional, after-hours territory, making club music that rewards feeling as much as dancing, informed by his life as a working musician at the highest level. He is also at the centre of one of the most promising new structures in British music, George Daniel's dh2, where pop-world resources are being used to lift up the underground rather than strip-mine it. As both an artist and a sign of where the scene's support is coming from, Oscar Farrell is one of the most quietly important names to watch.
FAQ
Who is Oscar Farrell?
A mid-twenties London-based producer and DJ working in future garage and 2-step. He is also the musical director and bassist for Sampha's live shows, and is signed to the dh2 label.
What label is Oscar Farrell on?
dh2, the electronic imprint of Dirty Hit, led by The 1975's George Daniel. Farrell is one of its flagship artists, alongside Kelly Lee Owens, Surusinghe and Bodhi.
What kind of music does Oscar Farrell make?
Emotional, after-hours UK club music, future garage and 2-step built on airy basslines, intricate rhythms and glitchy, chopped vocals. It leans towards feeling and the comedown rather than peak-time bangers.
What are Oscar Farrell's EPs?
I've Already Called (April 2025), So Far South (September 2025, featuring the Sampha collaboration "Dream Therapy") and Birds Fly In (June 2026).
How is Oscar Farrell connected to Sampha?
He is Sampha's musical director and bassist, and the two collaborated on Farrell's breakout track "Dream Therapy".
What are Oscar Farrell's best tracks?
"Dream Therapy" with Sampha, the title track "So Far South", "Burning From" with Goya Gumbani, and his collaborations with George Daniel, "volc3" and "volc4".
Sources
- Bandcamp, Dirty Hit and The Line of Best Fit on Oscar Farrell's EPs I've Already Called, So Far South and Birds Fly In
- i-D, The Face and Dork on dh2, George Daniel and the label's roster and club nights; NME on the "volc3" and "volc4" collaborations
- Crack Magazine, Strand and whynow features on his sound, his role as Sampha's musical director and "Dream Therapy"
- Rinse FM show pages and 2025 to 2026 live and festival listings (Glastonbury, Phonox, Public Records, LIDO 2026 curated by Maribou State); Stereofox, Dork and Clash on the Birds Fly In EP and its reception
This guide is part of House of MNEEMO's ongoing coverage of the electronic and club music scene, written by London-based DJ and producer MNEEMO, with millions of streams to his name and a party series running through some of London's best clubs.